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Re: Direct hardware calibration of monitors, and how  monitor profiles on the computer should be set-up?

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Thanks D Fosse. I should have mentioned that the hardware calibration does indeed have dedicated software - on my model of monitors it is resident on ROM within the monitor itself and updates as part of the monitor's firmware update packs; on smaller models you are required to load the software that comes with the HP rebranded i1 colorimeter  onto your computer and attach the monitor (I guess this saves costs and allows lower pricing). According to the documentation, both write the calibration results directly into the monitor's memory.  On the latest Mk II models, both the software and a colorimeter are built into the monitor itself (much like the Eizo CG series monitors) so it is not necessary to attach an external device to calibrate. According to the manual, 're-calibration' allows each of the presets to remain accurate (I presume to some internally recognised definition of the colorspace). Each of the presets calibarates to a different colorspace, and one can see the image colours change depending on which is selected.

 

As I understand it (and I may be wrong) regular internal calibration of the monitor to some standard, just means that changes in the monitor and panel over time will be compensated for as best as possible. (I found that Martin Evening and Jeffe Schewe's respective books suggested that this internal monitor calibration was more accurate than using computer hosted software/hardware, although I am left unclear as to why that might be).

 

So... I think the internal software independently  calibrates the monitor presets to display colours (self-generated or idealised) in a standard way for each preset. However, this doesn't take into account how color might be represented when coming  from externally input sources such as the computer (or, more specifically, the graphics card in the computer that the monitor is connected to). My hypothesis is that I would need to tell the computer how to map the graphics card color values to a specific preset on the monitor by building a *color profile* for this that can be used by color managed applications. I further assume that I would need a separate color profile to map to each of the individual presets on the monitor (e.g. construct and AdobeRGB profile for when I use the monitors AdobeRGB setting, an sRGB profile for when I use the monitor's sRGB setting etc.). However, this is just my hypothesis - I have not, so far, found a clear explanation of how things should be done. Perhaps I am wrong? Hopefully, somebody with a more expertise can clarify the situation.  While HP are rather woeful in their lack  information on this subject, Eizo seem to imply that on their self-calibrating monitors all you need to do is let automated calibration run, regardless of whether a computer is connected to the monitor. This doesn't sound right to me as surely input colour values will vary depending on what individual device they are coming from.

 

Best wishes,

 

John


Re: Check for errors on file close?

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Preflight is a great choice. A custom Preflight would be even better. Here's a video about Preflight that could help.

 

http://www.jeffwitchel.net/2012/08/finding-potential-printing-problems-automatically/

 

If the biggest thing you're concerned about is missing links and fonts, make sure your entire team is ALWAYS working from Packaged files (File > Package). That way no one should ever be missing links or fonts when they open a layout on a different computer.

Re: Can someone help me with creating a javascript please?

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That unfortunately does nothing?

Re: Optimal methodology for high-class list reveal

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MO!!! I couldn't send you a reply to your last msg. Hope all is well. Drop me another PM when you have some time.

Re: Broken links created by Robohelp2019 conversion

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I was checking Robohelp update 8, and good news is I just found that Broken links issue is now fixed, and managed to generate PDF normally.

Re: RH2019 HTML5 skin heading

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Add a fresh copy without making any changes other than a slightly different

name. Is that the same? What I am looking at is not so large.

 

 

I'm wondering if some other change you have made is having an impact.

 

 

Peter Grainge

www.grainge.org

@petergrainge

Re: Issue with Apps Management

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sorry they have not contacted me back yet. i am starting to think this problem is also related to my account. i have no idea what 'enterprise' is but apparently i have it even though i am on a student subscription currently.

 

i tried using my brothers laptop and it works flawlessly. on my setup, I'm still stuck on this.

Re: How to remove silence (gaps in conversation) from video?

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I already received my answer directly from them. Yes, It can be done with a work-around. Sorry I even bothered to ask a question here, honestly. Wow. Hope everyone has a great day!


Re: Automatically adapt layers depending on state of other layers

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sampleImageis the way to go. Unlike Martin, I think it's not too difficult to apply. However, I do see issues -

(1) which part of the underlying video do you want to sample?

(2) how will the logos transition from one state to the other?

 

You'll need to clear this up before looking at a coding solution. Lastly, with Expressions, instead of Scripting, you can save the Expression as part of a Preset (FFX) which I feel is more efficient and easier for most users to apply.

Re: Normalising image within Lightroom.

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KRSTF  wrote

By ”normalising” I mean getting WB right, getting skintones, tones, contrast, whites and darks right.

Getting it as close as possible to “what I saw” and thus creating a base for my following edit (creative color correction).

The short answer is, you really can't. Read this first to see why (and what you really would need is to start with scene referred color; difficult to produce in LR/ACR but not 'impossible):

http://www.color.org/ICC_white_paper_20_Digital_photography_color_management_basics.pdf

White Balance isn't an attribute of the raw data. You render WB as you render the raw. IOW, the settings you see for the camera for WB first define a range of possible colors and, they have absolutely no effect on the raw.

The contrast ratio of a scene, one you can see, can greatly exceed the DR of the capture. The next piece to read is this:

http://www.lumita.com/site_media/work/whitepapers/files/pscs3_rendering_image.pdf

Lastly, it's kind of important to consider what raw data really is and 'looks like'; here's one example:

 

raw.jpg

No, it doesn’t look anything like what you saw.

Re: XD development ALL SCREENS, what the heck is the order on this update?

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I can say that this is quite a tricky question since I was not quite happy with the current approach nor with the old one. Because it's not always I want to expose my internal file structure to everyone. The reason is plain and simple - I used to work on the bunch of options for a single screen at the same time, while I want to showcase just one of them. While working on all of the iterations I don't want to think about how it will be presented to anyone. That's my personal kitchen, as you wish. But I can still see how that visual way of the screens structuring helps to navigate in a big project.

 

If Adobe wants so hard not to copy features from the competitors, they might think about some sort of a tool, allowing to visually put the artboards into the groups right on the canvas. Like a super-artboard for the actual artboards. Anyway many designers like to arrange the artboards in a certain way and place the titles right on the canvas itself.

Re: How to reshape effects mask?

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OK if you can't reshape it from a rectangle, is there another way to add a mask that's shaped? Like I said in my 1st question, all I am trying to do is have the background behind me a little blurry while I'm talking to the camera. If I could soften the edges to be a little blurry it might work using the rectangle, but I don't know how to do that.  

Re: Illustrator Scripting Training (Javascript, VBA)

Key Frame issue in after effects

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Hey all

 

I'm trying to edit my keyframes so I can easy ease them even more but I don't seem to have the option. I'm guessing its probably something quite simple but I just can work it out.

 

Any help would be much appreciated

 

Please see the screenshots:

 

How I want it to work.

Screenshot 2019-08-05 at 16.38.28.png .  

 

How it looks for me..

 

Screenshot 2019-08-05 at 16.39.32.png

Premiere Elements 15 & 19 on same computer?

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Would there be an issue of having two licensed versions of Premiere Elements on the same computer (PE 15 & PE 19)?

 

Didn't know if there would be any conflict with the programs.  I am currently running Windows 7.


Re: How do I take an existing image and make only one part of the image transparent?

Re: LIGHTROOM help!

Re: Can someone help me with creating a javascript please?

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Do you not need to specify the layer name, can you just call it 'layer 1'?

Re: Search keyword highlight doesn't change with new search on the current page

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Hello Peter,

It seems it's a known issue as the new Frameless output in update 8 has "Remove highlight" button

Re: Can someone help me with creating a javascript please?

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You also have two call the function when your checkboxes get changed (or whatever the trigger is).

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